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Hyperfocal
Skies from Hyperfocal Design
By Jeff Mottle (jmottle@cgarchitect.com)
Jeff
Mottle is the President and Founder of CGarchitect.com and is the
North American Creative Director for Smoothe.
Is your collection of panoramic skies incomplete, or are the versions
you have now not cutting it? Well, if you answered yes to either
of these you will be excited to find out that there is a new kid
in town. The guys at Hyperfocal design have just released a new
collection entitled Hyperfocal skies. A collection of 54 sky and
landscape bitmaps that include multiple times of day and weather
conditions, 360 degree and hemispherical formats as well as several
landscape shots.
The collection comes on a single CD and is divided into several
categories on the disc. The categories and images can be browsed
with a simple HTML interface and are divided into: Hemispherical
Skies, 360 Degree Skies and Landscape. There are 20 Hemispherical
skies that are all 4000 pixels high by 12,000 to nearly 14,000 pixels
wide.
There
are 28 360 degree skies included in this collection that range in
size from 2200 to 3000 pixels high to 12,200 to 15,600 pixels wide.
The
last category on the disc also includes 6 landscape shots that range
in size from 5000 to 10,000 pixels wide by just over 2000 pixels
high.
About the images
All of the images were shot with a Canon Powershot G2 and are all
in a JPEG format. The image stitching was done in Photoshop and
custom software was programmed by Block Software out of Australia
to deal with the creation of the very large resolution Hemispherical
skies. The image quality is very nice and the stitching is nearly
flawless. There were a few things that could potentially cause problems,
all of which are related to the fact that the images were shot digitally.
The first is the subtle noise that is introduced into the photographs
as a result of long exposures and digital compression at the camera.
Although it is not noticeable until you view these images at 100%,
I doubt it will be a problem for most people unless you are dealing
with extremely high resolution images that focus largely on the
sky. The last issue was with chromatic aberrations that was evident
in a few of the images, in particular the landscape shots. Again
an issue related to digitally shot images and the optics, you will
notice a slight purple fringing around areas of high contrast.
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Examples
of Chromatic Aberrations in areas of high contrast
Visible noise artifacting with long exposures
Slightly visible noise due to camera image compression
Conclusion
On a whole I found the collection quite impressive and from what
I have seen, you will currently not find any other collections of
this resolution around. If you compare the number of images you
receive, the quality, the variety and price, you will find this
collection pretty hard to beat. At $179.95 it is priced near the
top end of the scale for sky collections, but is well worth the
price when you consider the quality and variety included on this
disc.
Hyperfocal skies can be purchased directly from Hyperfocal Design
at: http://www.hyperfocaldesign.com
If
you would like to post comments or questions about this review,
please visit our forum
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