JEAN Romain: Likes - CGarchitect - Architectural Visualization - Exposure, Inspiration & Jobs

Article

Autodesk is hosting a very interesting webinar about Environment Creation using 3ds Max, TyFlow and V-Ray.

How to Create a 3D Environment in 3ds Max

Ricardo EloyApril 02

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Architecture visualization of a forest house on Cuenca Ecuador

Casa Colina

Fernando MantillaApril 06

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For the Beach Station project, we set out to craft a visual narrative that captivates and inspires. This exclusive beach club, set against a stunning coastal backdrop, called for highly emotional and evocative imagery, designed to transport potential investors into a dreamlike experience.

Beach Station

Wolf Visualization AgencyApril 07

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For the Beach Station project, we set out to craft a visual narrative that captivates and inspires. This exclusive beach club, set against a stunning coastal backdrop, called for highly emotional and evocative imagery, designed to transport potential investors into a dreamlike experience.

Beach Station

Wolf Visualization AgencyApril 07

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Article

New CommonPoint 3D+AI Masterclass is now available to purchase, and it’s absolutely packed with knowledge. There are examples on top of examples that will show you how to combine 3D and AI into one seamless workflow.

CommonPoint. 3D+AI Masterclass went LIVE!

Artur TamiolaMarch 20

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Article

In this two-part tutorial, Zdravko Pavlov guides viewers through creating multiple cascades using Chaos Phoenix and V-Ray.

Cascaded Pool

Ricardo EloyMarch 26

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Project

This project was specifically created for my entry to the Minimalist Marvels competition by CG Award.

Passionate about creating 3D architectural visual renderings, I have always been drawn to exploring pure and minimalist forms. The CG Award competition presents a unique opportunity to bring to life an idea that has been on my mind for a long time.
For this occasion, I have created a series of three illustrations with a minimalist and deeply dark aesthetic. One of the most intriguing aspects of this project lies in its sensory approach: the longer the eye adjusts, the more subtle details emerge, gradually revealing the depth and complexity of each composition.

Article published on the architecture-specialized website Dezeen (November 2041).

The Black Temple: An Exploration of the Limits of Human Perception
In 2031, during excavations at the site of an ancient volcano in Iceland, speleologist Gary Henderson made an unprecedented discovery: an immense underground cavity, named The Cave. This natural cavern, the largest ever recorded, boasts staggering dimensions—approximately 527 meters in height and nearly 1,760 meters in width. Located about 3,000 meters below sea level, it constitutes an extreme and unique environment.
The walls of The Cave are primarily composed of porous volcanic rock, giving the site an exceptional acoustic property: the near-total absorption of sound waves, making echoes impossible. Furthermore, due to its depth, no natural light penetrates this space, plunging the cavern into absolute darkness.
Another remarkable feature of this location lies in its atmosphere, which retains faint traces of sulfuric vapors from past volcanic activity. Although breathable, this atmosphere profoundly alters sensory perception, eliminating all taste and touch sensations. Additionally, the high atmospheric pressure induces a sensation of weightlessness, disrupting the sense of touch and spatial orientation.
It is within this extraordinary setting that the Black Temple project was launched in 2041. Led by a team of engineers, architects, and neuroscience researchers, this project aims to explore the effects of complete sensory deprivation on human consciousness. Inspired by aerodynamic principles, particularly the curves of the experimental D2 aircraft, a monumental structure was designed to be suspended at the bottom of the cavern using ultra-resistant cables.
The Black Temple was designed to gradually guide volunteers toward total sensory deprivation. During the descent, a specially designed drone follows the structure, illuminating the apparatus and guiding its path through the cavern. This drone provides lighting until the structure reaches the bottom of the cave, where lanterns have been installed to allow participants to fully appreciate the vastness of the space before entering what scientists call Nero: absolute darkness.
To maintain sensory perception for as long as possible, the structure of the Black Temple is equipped with wings that generate turbulence, creating variations in sound waves and contributing to air purification. This process allows volunteers to temporarily retain their hearing, smell, and taste before deprivation becomes total.
The Black Temple ultimately stops just 1.2 meters above the surface of a shallow underground lake, located at the lowest point of The Cave. This final point of contact with material reality marks the ultimate step before experiencing absolute sensory void. The exploration of this extreme zone could thus reveal new perspectives on the nature of human consciousness and its ability to adapt in the absence of any sensory reference points.

BLACK TEMPLE

Romain BrunasMarch 19

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Article

Find out how architect and artist Adam Spychała created the brutalist backdrop for the new Netflix movie Spiderhead.

Bringing the beauty of brutalism to the big screen

Lon GrohsJuly 17, 2022

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Article

Making of a High Rise Building by Li Jingyang

Making of a High Rise Building

Jeff MottleMay 22, 2014

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As a leading visualization studio, Assembly Studios is always pushing the boundaries of what’s possible in CGI. As part of their latest project, 40 Leadenhall, their team created a stunning set of renderings, a virtual reality experience, and three films. Assembly Studios partner Jon Wells describes the challenges of visualizing such a complex building and how the team brought it to life.

Assembly Studios visualizes a new London landmark

Lon GrohsAugust 11, 2022

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Project

work

baodongniJune 27, 2022

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Project

HOUSE IN CYPRUS
The image showcases an architectural project of a house in Cyprus, developed by a local construction company. I created the 3D artistic concept for the company, aiming to promote and facilitate the sale of the property. The 3D rendering was designed to realistically and attractively present the features of the project.

CGI - HOUSE IN CYPRUS

ARQ . VIZMarch 13

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Project

We found it, my Lord!

Alessandro ColaceDecember 09, 2021

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Project

Set me free!

Alessandro ColaceJuly 18, 2022

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Project

Falchion #3

Alessandro ColaceMarch 14

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We’d like to return to the Museum of Archeology in Rabat, Morocco for a second visit, following the animation we shared last week. The still images created for the project also manage to reflect the calming and inspiring vibe this tranquil environment has to offer.

Undisclosed | National Museum of Archeology - stills

Brick VisualJanuary 24

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Project

Zaha Hadid Architects' recent win in the international design competition for the Napoli Porta Est in southern Italy has gained a lot of attention in the press lately. Brick proudly contributed several visuals to the project, some of them presenting the structure in a wider context, but also with a collection of drafts, exploring a range of exciting, alternative moods and compositions.

Zaha Hadid Architects | Napoli Porta Est

Brick VisualMarch 10

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Article

GENIUS LOCI is a short film by i d d q d Studio, developed in collaboration with film industry professionals.
The project reimagines architectural animation through the lens of cinematography, creating a standalone, captivating piece of art where the architectural object becomes the central character.

CASE STUDY of archviz movie GENIUS LOCI: The spirit of the place

iddqd StudioFebruary 05

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Article

Eight Station Rendering Studio Shapes the Future of Hospitality with Meticulously Crafted Visual Experience

Kateryna KovalMarch 05

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Article

Join visual effects artist Falk Boje as he shows you how to create a sci-fi environment in 3ds Max. In this tutorial, you'll explore rapid prototyping techniques, with a focus on hard surface modeling, allowing you to efficiently build cinematic shots that feel truly otherworldly.

How to Create a Sci-Fi Environment in 3ds Max

Ricardo EloyFebruary 24

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